Faux Pho (1974)

Far away in the nearest corner
where the brown hot orange tree
swung its globe the grass unburned
was shaded green and dark below
the hanging wood. A single bound
dislodged the fruit and stripped it
bare of its appeal. The branches
cold and yellow now gave out and wept
red tears that dyed the land at its base.
It was all so base and we ate like pigs.

(originally appeared in Montage, Spring ’74
as "The people pay to watch me lie.")

Callow Mystic

He choked at the fishbone market
and froze up the watering place.
His lies were little lessons,
terribly unscientific but frighteningly real.
Sputtering vile mare’s nest!
He sank in his own filthy dreams,
reeking of incense and hollandaise,
his prophesies chipped and unfixed.
He left enough masks behind
to play out the fabrication,
and a suicide note
that turned out to be the bible.

X-mas Fire (1974)

(snow belles shuffling
in their frozen dive,
jock frost chipping
at your glow)

There was never a time like this.
Elves on the shelves, toys for the boys
And girls, and even the animals,
Nipping in secret at the nutmeg bush.
Visions of sugarplums, the little fat red
Gone wild in the midnight sky,
Jelly jiggling his joyful pot with a wink.
Then, howling at the dime store moon,
He flies.
And everything is "Merry."
And everything is "Christmas."
And everywhere on the somewhere side
Of the world, there is a tear falling,
Waiting for tomorrow to dry.

(as seen in "Montage," spring ’74)

Vacancy

I thought I was abed.
I felt it in my head.
The pillow hard but round,
a rock upon the ground.
The blanket leaves and weeds,
sufficient to my needs.
The breeze my temp control,
blown slowly through the soul.
My mattress made of dirt.
I think it’s called a yurt.

Who’s to Die and What’s the Question? (1980)

The street is wide enough for dreams and sounds appropriate,
suggesting poolside guilt in cellar bars and anglo plays,
with subtle buzzing urged by those who know in yards of green
felt heaven beneath smashing neon stars unrolled through
space and smoke, revealing abject memories of pain,
in the blistering spirit of the road and the low moaning rain
of a blinded sky, wherein a wizard might die, calling for you.

Bob the Nabob

Bob was Bobby ’til he learned of palindromes.
For his living spaces, he sought motor homes.
His history was built upon deceptions.
He’d been to some Republican receptions.
And on his wall a Spiro Agnew portrait hung.
He’d fallen under that man’s spell when he was young.
When asked, he’d always tell some vague connection tale.
The truth was that he’d found it at a rummage sale.
Although he came from wealth and had a large bankroll,
he preferred to live like he was on the dole.
"Rich folks just aren’t cool," he’d heard a woman state.
And so, just like a fool, he lived life second rate.
He died before his time, found in some squalid squat.
Murmuring palindromes like mom, dad and tot.